Specials
The RF Prime series of cinema lenses from Canon has been designed for outstanding optical performance rendering crisp images with natural, rich contrast. This series includes seven lenses, ideal for shooting 8K as well as HDR, and represent Canon’s first cinema lenses to have a native RF mount. This lens series ushers in the RF lens communication to fully manual cinema glass, ideal for shooting with RF-mount cameras including third-party cameras that utilize a native RF mount.
The Laowa 24mm T8 Interchangeable bayonet (Canon RF Mount) is swappable for the standard mount that comes with the Laowa Pro2be T8 24mm lens. The mounts can be swapped by the user in a few simple steps.
Introducing the NiSi 85mm ATHENA PRIME Full-Frame Cinema Lens T1.9 (RF Mount). This lens is designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. With a large aperture of T1.9 and soft bokeh, this lens offers beautiful background separation, making it ideal for capturing stunning images and videos.
Introducing the NiSi 50mm ATHENA PRIME Full-Frame Cinema Lens T1.9 (RF Mount). This lens is designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. With a large aperture of T1.9 and soft bokeh, this lens offers beautiful background separation, making it ideal for capturing stunning images and videos.
Introducing the NiSi 35mm ATHENA PRIME Full-Frame Cinema Lens T1.9 (RF Mount). This lens is designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. With a large aperture of T1.9 and soft bokeh, this lens offers beautiful background separation, making it ideal for capturing stunning images and videos.
Introducing the NiSi 25mm ATHENA PRIME Full-Frame Cinema Lens T1.9 (RF Mount). This lens is designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. With a large aperture of T1.9 and soft bokeh, this lens offers beautiful background separation, making it ideal for capturing stunning images and videos.
Introducing the NiSi 14mm ATHENA PRIME Full-Frame Cinema Lens T2.4 (RF Mount). This lens is designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. With a large aperture of T2.4 and soft bokeh, this lens offers beautiful background separation, making it ideal for capturing stunning images and videos.
Laowa 58mm f/2.8 2X Ultra Macro APO is a mirrorless-designed macro lens with a 40.9° angle of view on full-frame sensors. It features an apochromatic (APO) characteristic that chromatic aberration at both ‘in-focus’ & ‘out-of-focus’ is compressed to a minimum. Like many other Laowa macro lenses, this lens is able to focus from 2:1 magnification to infinity which can serve as both macro and portrait lenses. It has 3 extra-low dispersion (ED) glasses and 3 glasses with Ultra-High Refractive Index which produces pictures with outstanding sharpness. The lens weighs around 595g which is portable to carry around.
The Canon RF28mm F2.8 STM lens is a super-compact, wide-angle lens great for travel, street photography, and video and is a great entry point for full-frame EOS R cameras. Great for still photography and videography, 28mm has been the starting point for getting a wide-angle “look” in pictures and video for decades — wide enough on a full-frame camera, to have a distinct wide-angle character, and yet not so wide that it becomes a challenge to use. This lens absolutely can also be used with APS-C sensor EOS R-series cameras, like the EOS R7, R10, and R50.