Specials
The RF135mm F1.8 L IS USM medium telephoto lens really steps up your photography game when shooting portraits or even sports, thanks to high-quality optics, and L-Series features. The bright f/1.8 aperture also does wonders for your images. Not only can you achieve beautiful, soft backgrounds, it transforms your ability to shoot telephoto images or video at low light levels. The RF135mm F1.8 L IS USM also comes with built-in Optical Image Stabilization (not previously seen on a Canon 135mm lens) to further enhance your low-light shooting abilities by providing up to 5.5 stops* of optical shake correction, and up to 8 stops* with Coordinated IS.
The Canon RF24-50mm F4.5-6.3 IS STM wide-angle to standard zoom lens is a great entry point for full frame EOS R cameras. Great for still photography and videography, the RF24-50mm can provide intensity in your still images at 24mm, and excel with everyday shooting at 50mm. Rely on that wide field of view for vlogging, while still being able to zoom in when the need arises.
The RF-S 55-210mm F5-7.1 IS STM telephoto zoom lens is a superb choice for photographers and videographers looking to add versatility and range to their lens collection. Compact and lightweight with Optical Image Stabilization for up to 4.5* equivalent stops of shake correction, Up to 7.0* equivalent stops of shake correction when paired with EOS R series cameras featuring In-Body Image Stabilizer (IBIS). It extends the camera's reach significantly, capturing sharp images of far away objects, even when handheld.
The Canon RF100-300mm F2.8 L IS USM, brings zooming capabilities to the proven 300mm f/2.8 concept. This lens is aimed directly at professional and very high-end video and still-image users that want gorgeous background bokeh that makes imagery “pop”, such as theater work, event candid's at a distance, indoor sports like swimming, gymnastics, and basketball.
The Canon RF28mm F2.8 STM lens is a super-compact, wide-angle lens great for travel, street photography, and video and is a great entry point for full-frame EOS R cameras. Great for still photography and videography, 28mm has been the starting point for getting a wide-angle “look” in pictures and video for decades — wide enough on a full-frame camera, to have a distinct wide-angle character, and yet not so wide that it becomes a challenge to use. This lens absolutely can also be used with APS-C sensor EOS R-series cameras, like the EOS R7, R10, and R50.
The RF10-20mm F4 L IS STM is a unique ultra-wide-angle lens that gives you corrected, rectilinear coverage to an incredible 10mm with full-frame cameras. Great for still photography and videography, the 10mm ultra-wide-angle effect is outstanding for its dramatic look, lending visual drama to your landscape, interior, architecture, travel, and even photojournalism images. This lens features true L-Series quality with optical and digital corrections for distortion, and optical image stabilization (OIS) for better low-light performance, especially when shooting video. Autofocus is handled by a tried-and-true
The RF-S10-18mm F4.5-6.3 IS STM lens combines excellent optics and high performance, providing an ultra-wide angle of view in a compact, portable package, perfect for EOS R cameras with an APS-C sensor. The optical performance is a direct result of a totally new lens design, highlighted by two Ultra-low Dispersion glass elements and an Aspheric element. The RF-S10-18mm F4.5-6.3 IS STM delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for vlogging, video, travel, landscapes, interiors, or simply for creative imagery.
The RF200-800mm F6.3-9 IS USM is a versatile lens, combining powerful telephoto capability and Image Stabilization in a portable design that many users may be able to hand-hold. The lens weighs about 4.5 pounds, and its Image Stabilization delivers up to 5.5 stops of shake-correction**, for steadiness whether you’re handholding, or working with a monopod. The RF200-800mm F6.3-9 IS USM can help elevate your content whether it’s wildlife, birds and nature, or outdoor sports such as surfing, golf, baseball, motorsports, and more.
The RF24-105mm F2.8 L IS USM Z is the world’s first 24-105mm focal length lens combined with consistent f/2.8 aperture.1 With its constant f/2.8 max aperture, full-frame coverage, and its ability to zoom past the traditional 70mm roadblock to a true portrait-length 105mm, this lens is an incredible standard zoom solution for many different applications. An optional, dedicated Power Zoom Adapter PZ-E2 transforms the video operation possibilities with its smooth and versatile zooming. Even in low light, this lens will excel for weddings and events, photojournalism, portraiture, studio work, and video creation.
The RF Prime series of cinema lenses from Canon has been designed for outstanding optical performance rendering crisp images with natural, rich contrast. This series includes seven lenses, ideal for shooting 8K as well as HDR, and represent Canon’s first cinema lenses to have a native RF mount. This lens series ushers in the RF lens communication to fully manual cinema glass, ideal for shooting with RF-mount cameras including third-party cameras that utilize a native RF mount.