Specials
When designing the Otus 1.4/55 Zeiss had one brief: make it the best. Representing the pinnacle of over a century of optical and technical expertise, this prime lens offers truly spectacular, world-class performance. Without compromise.
With an angle of view of 99 degrees, the Touit 2.8/12 wide-angle lens will soon become a firm favorite, particularly for landscapes and architectural photography. Its unique T* multicoating guarantees maximum transmission and outstanding absorption of extraneous light.
A compact standard lens with autofocus, especially designed and constructed for compact system cameras like the Sony Nex and Fujifilm X Series cameras. A lens that makes it so easy to spontaneously capture your special moments and preserve them in perfect pictures.
With its exceptional image performance up to a scale of 1:1, this macro lens is the ideal choice for extreme close ups. But it also comes into its own when shooting portraits or panoramas as a light tele-lens. The delicate structure of a petal, the tiny hairs on a cat's fur or the seductive lines at the corner of the eyes – whenever a shot is all about the minute details, the ZEISS Touit® 2.8/50M will delight and inspire. It not only allows you to portray objects in their original size, but also provides for beautiful contrast between the pin sharp focus of the image and the softly sketched background thanks to its aperture of 2.8.
The Otus® 1.4/85 is a superlative lens in every respect – just like every other focal length in the unique ZEISS Otus family. A lens designed and constructed with the comprehensive expertise and vast experience of ZEISS. Its extremely large initial aperture is simply ideal for isolating subjects from their backgrounds. At the same time, the Otus 1.4/85 is far more than a portrait lens. Take advantage of its high speed for available light photography, its moderate angle of view for landscapes or its close focusing distance for reproductions.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.