Specials
Composer Pro II with Sweet 80 Optic is an 80mm f/2.8 lens that brings our classic "sweet spot" look to portrait photographers or anyone looking for selective focus at longer focal lengths.
The Canon EF 85mm F/1.4L IS USM is Canon's first 85mm L-Series lens with image stabilization. It's large, bright f/1.4 aperture and long focal length provides buttery smooth bokeh, ideal for portraiture. Image Stabilization provides up to 4 stops of shake reduction, and high-speed AutoFocus with USM technology provides accurate and fast focusing.
Create soulful portraits with our Velvet 85 art lens. Compose impressionistic masterpieces with a velvety glow at bright apertures, straight out of camera. Use darker apertures to bypass glow and make images with a crisp, film-like aesthetic.
Model A032 is a fast F/2.8 zoom that achieves top-level image quality. The new Dual MPU (Micro Processing Units) provides rapid autofocusing with improved accuracy and the highest vibration compensation performance of any lens in its class[2] (CIPA level of 5 stops). The use of specialized, high quality glass materials (offering greater optical transmittance) for the lens elements assures superior color reproduction and greater sharpness, while the application of Tamron's exclusive nanotechnology-based eBAND Coating substantially curbs the ghosting and flare that are prone to occur in backlit
Sigma Cine Zoom Lens Kit, EF Mount: Includes 18-35mm T2 and 50-100mm T2 with lens case. Both lenses capable of keeping a constant aperture of T2 across their full focal ranges. Both lens bodies completely metal and completely new mechanical bodies for Sigma. These weatherproof lenses, for Canon EF Mount cameras, are cine zooms ready for 4K, 6K and 8K high-resolution cinema.
The 20mm T1.5 is compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. The lens features a 9-blade iris to produce beautiful bokeh. Ghosting and flaring has been minimized and color reproduction across their entire line of cinema lenses has been standardized for superior color matching and correction.
The 24mm T1.5 is compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. The lens features a 9-blade iris to produce beautiful bokeh. Ghosting and flaring has been minimized and color reproduction across their entire line of cinema lenses has been standardized for superior color matching and correction.
The 35mm T1.5 is compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. The lens features a 9-blade iris to produce beautiful bokeh. Ghosting and flaring has been minimized and color reproduction across their entire line of cinema lenses has been standardized for superior color matching and correction.
The 85mm T1.5 is compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. The lens features a 9-blade iris to produce beautiful bokeh. Ghosting and flaring has been minimized and color reproduction across their entire line of cinema lenses has been standardized for superior color matching and correction.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.