Specials
The RF24-105mm F2.8 L IS USM Z is the world’s first 24-105mm focal length lens combined with consistent f/2.8 aperture.1 With its constant f/2.8 max aperture, full-frame coverage, and its ability to zoom past the traditional 70mm roadblock to a true portrait-length 105mm, this lens is an incredible standard zoom solution for many different applications. An optional, dedicated Power Zoom Adapter PZ-E2 transforms the video operation possibilities with its smooth and versatile zooming. Even in low light, this lens will excel for weddings and events, photojournalism, portraiture, studio work, and video creation.
The RF-S10-18mm F4.5-6.3 IS STM lens combines excellent optics and high performance, providing an ultra-wide angle of view in a compact, portable package, perfect for EOS R cameras with an APS-C sensor. The optical performance is a direct result of a totally new lens design, highlighted by two Ultra-low Dispersion glass elements and an Aspheric element. The RF-S10-18mm F4.5-6.3 IS STM delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for vlogging, video, travel, landscapes, interiors, or simply for creative imagery.
The RF10-20mm F4 L IS STM is a unique ultra-wide-angle lens that gives you corrected, rectilinear coverage to an incredible 10mm with full-frame cameras. Great for still photography and videography, the 10mm ultra-wide-angle effect is outstanding for its dramatic look, lending visual drama to your landscape, interior, architecture, travel, and even photojournalism images. This lens features true L-Series quality with optical and digital corrections for distortion, and optical image stabilization (OIS) for better low-light performance, especially when shooting video. Autofocus is handled by a tried-and-true
The RF Prime series of cinema lenses from Canon has been designed for outstanding optical performance rendering crisp images with natural, rich contrast. This series includes seven lenses, ideal for shooting 8K as well as HDR, and represent Canon’s first cinema lenses to have a native RF mount. This lens series ushers in the RF lens communication to fully manual cinema glass, ideal for shooting with RF-mount cameras including third-party cameras that utilize a native RF mount.