Specials
Designed with a unique structure, the Sirui 75mm f/1.8 1.33x Anamorphic lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.
Laowa 7.5mm T2.9 Zero-D S35 Cine is the widest rectilinear prime lens you can find in the Super35 market, covering a 123° angle of view. It produces high-quality images with “Zero-Distortion” and minimal chromatic aberration which filmmakers save a lot of effort on post production. The non dome-shaped front element allows 77mm screw-in filters that makes filming handy.
The new Sirui 24mm f/2.8-1.33X Anamorphic lens features a front cylindrical lens element that can widen the horizontal field of view 1.33 times and squeeze more stuff onto the sensor, which contributes to a HD 2.4:1 cinematic widescreen looking. The wider aspect ratio makes audiences feel like they are on the scene. Compared to the 50mm and 35mm anamorphic lenses, the 24mm anamorphic lens can extend the cinematic frame further and has great focal length for a wide variety of landscape and indoor shooting needs.
Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminum enclosure is robust yet lightweight to create cinematic widescreen shots.