Specials
The new 17-28mm F/2.8 Di III RXD (Model A046) is a large aperture, ultra wide-angle lens for Sony E-mount full-frame mirrorless cameras. Model A046 features a filter diameter of 67mm (astonishingly small for a full-frame, large aperture, ultra wide-angle zoom lens) as well as an unprecedented light weight of 14.8 oz. and diminutive length of 3.9 in.
The 100mm f/2.8 2:1 Macro lens features an apochromatic (APO) characteristic that chromatic aberration at both ‘in-focus' & ‘out-of-focus' is both invisible. This new 100mm lens can cover full frame sensor size and focus from 2:1 magnification to infinity. The lens has a similar physical size to other 100mm Macro lenses in the market but its wider magnification range allows macro photographers to capture subjects at any sizes. This 100mm f/2.8 lens can also focus to infinity and serve as a portrait lens with exceptional optics quality.
The 14mm T2 Cine Lens is compatible with full frame cameras, and while being more compact, it can offer superior resolution than other high-end prime sets do. With all seven Sigma prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.
The FíRIN 20mm F2 lens is a compact form-factor super wide angle manual prime lens compatible with full-frame E-mount Sony mirrorless cameras. By adopting two all-glass precision molded aspherical elements and 3 Super-low Dispersion (SD) glass lens elements we succeeded in greatly reducing aberrations yielding images higher resolution and contrast.
Long focal length, fast autofocus, optical image stabilization. Thanks to the outstanding correction of all chromatic aberrations, the ZEISS Batis 2.8/135 is a high-performance telephoto lens with an Apo Sonnar design. The lens is the optimum solution for medium-distance portrait photography. *Sony camera not included.
The high-performance 24-35mm T2.2 FF offers the resolving power and optical quality required for capturing video up to 8K. A rare option for cinematographers, the 24-35mm T2.2 FF caters to the requirements of the latest digital cinema cameras' image sensors, which are larger than Super 35, expanding the range of compatible cameras.
The Sigma 135mm T2 FF Prime Cine Lens is is compatible with full frame, and while being more compact, it can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.
The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. The Contemporary line is part of Sigma Global Vision and is the perfect blend of image quality and compact size. The large aperture is great for low light and for creating depth of field and its small size makes it highly portable.
With a versatile 24 to 105 mm range, this compact zoom brings outstanding G Lens§ excellence to a variety of still and movie applications. Compact, lightweight mobility makes it a natural choice for a wide range of subjects, while the remarkable blend of impressive optical quality, a constant F4 maximum aperture throughout the zoom range and fast, precise AF, deliver professional performance and reliability
Blow past simple depth of field. Create an entirely new composition with our Composer Pro II with Sweet 80 Optic. Bring tack sharp focus to your subject. Fill the surrounding area with compelling, streaky bokeh. We've harnessed basic physics to create blur in-camera, bending depth of field around your subject. The result? Your new favorite in-camera effect.