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Sony FX3 Full-Frame Cinema Camera (Body Only)

In-Stock Online
Hunt's Guarantee

Included Items:

Camera body (ILME-FX3), Rechargeable Battery (NP-FZ100), Battery Charger (BC-QZ1), Power cord, Top Handle with XLR Input Module, Body cap, MI Accessory shoe cap, Handle Shoe Cap, USB-A to USB-C cable (USB 3.2), Accessory Cold Shoe Kit

Important Notice: Due to the complex nature of this product returns will not be permitted.

As the latest addition to Sony's Cinema Line, the FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active mode, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.

Lens not included

Image sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High-performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface, and other camera operations.

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.

Acclaimed cinematic color with S-Cinetone™

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction even without post-production grading. [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.

S-Log2 and S-Log3 with 10-bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3 capable Cinema Line cameras, three color gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (60p/50p/30p/25p/24p).

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout, and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required)

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favorite settings as a custom look.

Proxy recording for more efficient editing workflow

Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's color, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy touch focus control

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology.

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.

In-body optical image stabilization for handheld shooting

Relying on a new high-precision stabilization unit, gyro sensors, and optimized image-stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording, even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active

XLR adaptor and digital input for quality audio

The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Uninterrupted 4K 60 recording

For uninterrupted 4K 60p recording, the FX3 features an innovative heat-dissipation structure, including a unique Sony Σ (sigma)-shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust- and moisture-resistance.

Customizable buttons for professional movie creators

The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.

Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Flexible camera positioning with vari-angle monitor

The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 1.44-million-dot large touch-panel LCD has high visibility and clarity.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Reliable, durable, and lightweight construction

For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.

Power for professional length

For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type-C® power supply or portable powerbank battery

Reliable durability and weather-resistance in tough situations

In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers, and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Data communications to support on-site workflow

Wireless 5 GHz/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.

Metadata to facilitate editing with Catalyst

Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilization and camera rotation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare desktop applications.


Interchangeable lens digital camera

Size & Weight

Approx. 1 lb 9.3 oz (715 g) (with battery and memory card included), Approx. 1 lb 6.6 oz (640 g) (body only)
2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)
Approx. 5.11 x 3.06 x 3.33 inches (Approx. 129.7 x 77.8 x 84.5 mm) (body without protrusions)


[Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 600 shots (LCD monitor) (still images, CIPA standard)


32 °F to 104 °F (0 °C to 40 °C)
–4 °F to +140 °F (–20 °C to +60 °C)

Recording Format (Video)

[XAVC HS 4K] 59.94p/50p 200 Mbps/150 Mbps/100 Mbps/75 Mbps/45 Mbps, MPEG-H HEVC / H.265, 23.98p 100 Mbps/100 Mbps/50 Mbps/50 Mbps/30 Mbps, MPEG-H HEVC / H.265, 119.88p/100p 280 Mbps/200 Mbps, MPEG-H HEVC / H.265
[XAVC S 4K] 59.94p/50p 200 Mbps/150 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 140 Mbps/100 Mbps/60 Mbps, MPEG-4 AVC / H.264, 23.98p 100 Mbps/100 Mbps/60 Mbps, MPEG-4 AVC / H.264, [XAVC S HD] 59.94p/50p 50 Mbps/50 Mbps/25 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 50 Mbps/50 Mbps/16 Mbps, MPEG-4 AVC / H.264, 23.98p 50 Mbps/50 Mbps, MPEG-4 AVC / H.264, 119.88p/100p 100 Mbps/60 Mbps, MPEG-4 AVC / H.264
[XAVC S-I 4K] 59.94p/50p 600 Mbps/500 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 300 Mbps/250 Mbps, MPEG-4 AVC / H.264, 23.98p 240 Mbps, MPEG-4 AVC / H.264, [XAVC S-I HD] 59.94p/50p 222 Mbps/185 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 111 Mbps/93 Mbps, MPEG-4 AVC / H.264, 23.98p 100 Mbps/100 Mbps/60 Mbps, MPEG-4 AVC / H.264, 119.88p/100p 280 Mbps/200 Mbps, MPEG-4 AVC / H.264

Recording Format (Audio)

LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch

Recording Frame Rate

[XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94P, 50P, 29.97P, 23.98P, 25P
[XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94P, 50P, 29.97P, 23.98P, 25P, [XAVC S-I HD] 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P
[XAVC S-I 4K] 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, [XAVC S-I HD] 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P

Recording/ Playback Time

[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes
[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes
[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes
1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)

RAW Output

HDMI: 4264 x 2408 (60p / 50p / 30p / 25p / 24p), 16 bit

Camera Section

35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
[Movie] ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit), [Still image] ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit)
Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb

Slow & Quick Motion

XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

White Balance

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom


Off / PP1–PP10, Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset


15+ stop (S-Log3)

Focus System

Fast Hybrid AF (phase-detection AF / contrast-detection AF)
[Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)
EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)
[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
[Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

Exposure Control

EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)
[Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M  

Recording (Still image)

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M


Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)


0.14 " Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 0.14 " Stereo minijack)
USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi/Micro USB (x1)
Yes (3.5 mm Stereo minijack)
Built-in, monaural
HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit
With Digital Audio Interface
Bluetooth Standard Ver. 5.0 (2.4 GHz band)


7.5 cm (3.0-type) type TFT, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.

Built-in Microphone

Built-in, stereo


CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

File System

FAT12, 16, 32, exFAT


Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)

Still image function

Mechanical shutter/Electronic shutter
Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off
Sony α System Flash compatible with Multi Interface Shoe; attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/125 s.
Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot

Image Stabilization

Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications)
[Movie] Active / Standard / Off, [Still image] On / Off
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)

Custom Function

Custom key settings, My Menu, My Dial Settings

Lens Compensation

Peripheral Shading, Chromatic Aberration, Distortion


IEEE 802.11a/b/g/n/ac
2.4 GHz band/5 GHz band
NFC Forum Type 3 Tag-compliant

FTP Transfer

FTP Transfer Func. (Wired LAN [USB-LAN], USB Tethering, Wi-Fi)

Supplied Accessories

Accessory shoe cap, Accessory shoe kit, Battery Charger BC-QZ1, Body cap, Handle shoe cap, Power cord, Rechargeable Battery NP-FZ100, USB-A to USB-C cable (USB 3.2), XLR handle unit
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