- Canon Super 35mm Dual Gain Output (DGO) Sensor, 16+ stops of Total Dynamic Range
- DIG!C DV7 Image Processor
- Canon Log 2 and 3, PQ, and HLG Recording
- RF Mount
- EF Lens Compatibility with Mount Adapter EF-EOS R 0.71x
- Direct Touch Control
- Approved for use in Netflix productions
- World's first 24-105mm focal length combined with consistent f/2.8 maximum aperture9
- Supports optional Canon Power Zoom Adapters
- 11 aperture blades
- Smooth, click-less iris ring for precise lens aperture control
- Close-focusing to under 1.5 feet (0.45m) at all focal lengths
- Maximum magnification 0.29x at the 105mm zoom setting
- Optical Image Stabilization up to 5.5 stops of shake correction and Coordinated Control (IS up to 8.0 stops with cameras equipped with IBIS)11
- Nano USM maintains focus while zooming.
PROFESSIONAL CINEMA. COMPACT DESIGN.
The Canon EOS C70 offers exceptional cinema capabilities in a compact package. Enjoy stunning images with a 4K Super 35mm DGO Sensor and all the built-in features you could ask for, including ND Filters, mini XLRs, direct touch rotatable LCD screen, Dual Pixel CMOS Autofocus, and excellent battery life. Making the EOS C70 even more powerful is compatibility with Canon's expanding line of high-performance RF Lenses.
IMPRESSIVE IMAGE QUALITY
Get smooth blacks and bold colors. The EOS C70's Super 35mm DGO Sensor generates 16+ stops of total dynamic range and maintains low noise levels in order to prioritize saturation for bright areas and lower noise for darker areas.
MORE BUILT-INS, LESS ADD-ONS, MAX VALUE
Start shooting from day one with all the built-ins you could ask for including ND filters for various lighting conditions, mini XLRs for professional audio recording, and dual SD card slots for simultaneous recording in different formats. Access it all with one hand on the direct touch rotatable LCD screen, allowing for on-the-spot changes while holding the camera.
SERIOUS CINEMA IN A SMALL PACKAGE
Control your dynamic range by choosing between Canon Log 2 or Canon Log 3 Gamma, and capture frame rates up to 120 fps in 4K or up to 180 fps in 2K CROP mode–all with electronic image stabilization. Enhance the EOS C70 further by synchronizing multi-camera productions via the built-in timecode port and adding Cinema RAW Light internal recording, Canon 709 Custom Picture Profile, XF-AVC Intra 4K 60p recording, and other new features via a free firmware upgrade.
BUILT TO BE TAKEN ANYWHERE
Designed to go where you go, the EOS C70's unibody design exhibits a compact form factor and a built-in ergonomic grip that makes handheld shooting easy and comfortable.
CANON'S RF SYSTEM & LEGENDARY LENSES
The EOS C70 is a cinema powerhouse all on its own and is engineered with a built-in RF mount for compatibility with Canon's expanding line of high-performance RF Lenses.
For increased flexibility, the EOS C70 is also compatible with Canon's line of award-winning EF lenses using the Mount Adapter EF-EOS R 0.71x. This maintains a similar full-frame angle of view on the Super 35mm sensor, but boosts the speed of the attached lens by an average of 1-stop.
Canon Super 35mm Dual Gain Output (DGO) Sensor, 16+ stops of Total Dynamic Range
The EOS C70 features Canon's next generation Super 35mm Dual Gain Output (DGO) Sensor. This sensor is capable of a total dynamic range in excess of 16 stops and includes Canon's exclusive Dual Pixel CMOS Autofocus technology.
The DGO Sensor is an imaging system that generates high dynamic range and maintains low noise levels by reading out each photodiode with two different gains. It combines the two with a saturation prioritizing gain for bright areas, and a lower noise prioritizing gain for darker areas.
Enhanced Clear Scan Mode
Clear Scan shutter mode helps reduce or virtually eliminate the flickering caused by some LED walls.
DIG!C DV7 Image Processor
The EOS C70 features Canon's DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.
Canon Log 2 and 3, PQ, and HLG Recording
The EOS C70 supports both Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range (16+ stops), more highlight and shadow retention, and more flexibility in color grading.
Canon Log 2 provides the largest dynamic range and image detail. However, while Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in post and color correction.
For users looking for most of the benefits of a log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.
The EOS C70 also features HLG and PQ compliance with ITU-BT.2100 in Custom Picture (CP) presets, allowing users to record HDR footage instantly without grading.
Canon 709 Custom Picture Preset
The Canon 709 CP preset features the same dynamic range as the Wide DR profile with great contrast. Canon 709 provides a rich, cinematic look to your footage right out of the box, with little to no processing or color grading, helping to save time in postproduction.
RF Mount
The EOS C70 is the first Cinema EOS camera engineered with a built-in RF mount making it compatible with Canon's expanding line of high-performance RF lenses. The short flange distance helps to dramatically reduce body depth, resulting in a more compact design.
The latest firmware adds compatibility with the RF24-105mm F2.8 L IS USM Z lens and the RF Cinema Prime Series of lenses.
Digital Tele-Converter
The digital tele-converter adds focal length versatility to the EOS C70. The feature allows a user to change the angle of view with image magnification options of 1.5x, 2x, 2.5x or 3x.
EF Lens Compatibility with Mount Adapter EF-EOS R 0.71x
In addition to RF lenses, the EOS C70 offers tremendous flexibility by also being compatible with Canon's broad line of award-winning EF lenses thanks to the new EF - RF optical adapter, Mount Adapter EF-EOS R 0.71x. This adapter converts light transmission from full-frame to Super 35mm image format. It extends the angle of view and optical sensitivity, while seamlessly integrating with the camera's optical corrections.
The adapter connects to the camera's RF mount with additional support from two flanges that securely attach via four screws, making for a very robust connection. Once mounted, the adapter maintains a similar full-frame angle of view on the Super 35mm sensor, while boosting the speed of the attached lens by an average of 1-stop. The adapter also carries all EF information through to the RF contacts, so on certain lenses*, full DPAF, aberration and vignetting correction, and metadata will be available, working just as they do on a native EF mount.
Waveform Monitor / Vectorscope
Users have the option to double the size of the on-screen waveform monitor and vectorscope and to adjust opacity (transparency) of the monitor, making it easier to see and adjust exposure while shooting. The vectorscope displays the custom picture color space along with the name for each color.
Direct Touch Control
The EOS C70 is equipped with Direct Touch Control which allows easy access to commonly used menu settings on the fully-rotatable LCD screen. Users will be able to simply touch the screen to start/stop recording, access file format and resolution, set ISO/Gain, color temperature and iris, and display important settings. Shooting settings that were once in various places of the menu can now be accessed with one hand, allowing for on-the-spot changes while holding the camera.
Compact, Uni-Body Design
The EOS C70 features a uni-body design that exhibits a compact form factor and an ergonomic built-in grip making handheld shooting easy and comfortable.
Built-in Mini-XLRS
The EOS C70 is equipped with two mini-XLR audio input terminals for professional audio recording. Additionally, manual audio control dials let users intuitively and quickly adjust the audio control.
Built-in Neutral Density Filter System
The thin, motorized ND filter unit has been specifically designed for the RF mount's short flange back. It offers up to 10 stops of ND, allowing users to shoot in various lighting conditions.
Time Code Terminal
The EOS C70 includes a time code input/output terminal in the lower front of the body that makes synchronizing easier in multi-camera productions.
Dual Pixel CMOS AF
Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus and to capture actual image information, offering users high precision focusing and exceptional image quality.
EOS iTR AF X
The EOS C70 is the first Cinema EOS camera to feature EOS iTR AF X, which includes a head detection algorithm developed with deep learning technology. In Face Detection mode, the AF works with this advanced algorithm to dramatically improve distance measuring and tracking reliability.
Face Detection AF in the EOS C70 makes it possible to select a subject via the RF lens' control ring or camera dial. This allows you to make adjustments without having to change the position of your hands or take your eyes away from the shot. The firmware also enables Head Detection allowing the EOS C70 to detect a subject's head even when looking backward, and changes the shape of the AF Frame based on the subject detected during tracking.
Eye AF
Eye AF detects and tracks the subject's pupil for precise focusing. Eye Detection AF, Face Detection AF and Subject Tracking AF during Slow and Fast Recording allow for more accurate auto focus performance at accelerated frame rates.
Dual Pixel Focus Guide
The EOS C70 also features Dual Pixel Focus Guide, which is an innovative UI that gives users both front- and back-focus information telling users if the focus position is in the back or the front, aiding in smooth pulls during manual focus.
Focus Meter
The focus meter allows you to select up to three separate focus points in your shot. Each selected point is identified by either a red, green, or blue mark on the viewfinder. When the selected point is in focus, the border of the viewfinder lights up in that color to easily let you know that you are in focus. This feature can only be used with lenses that support AF functionality.
Electronic Image Stabilization with Coordinated Control
For the first time in a Cinema EOS camera, enhanced image stabilization is available with coordinated control. With an RF lens and the electronic IS in the EOS C70 , coordinated control optimizes hand-shake correction, resulting in better anti-vibration performance than the conventional EF lens and electronic IS together.
In addition, the EOS C70 adds Super 16 Digital IS, which stabilizes the 2K images by using the peripheral area around the center of the 4K sensor, to provide high performance stabilization.
Auto ISO/Gain Control
The EOS C70 is the first Cinema EOS camera to feature Auto ISO and Gain Control. EOS C70 can automatically adjust sensitivity by utilizing the DGO sensor characteristics to switch gain smoothly, helping users concentrate on framing without worrying about aperture and other camera settings when moving from indoor to outdoor locations with significant changes in lighting.
The EOS C70 features a remote terminal that allows users to control the camera with Canon's RC-V100 ("Remote A" connection). The multi-functional RC-V100 remote controller provides full access to all important functions, including start/stop, shutter/gain adjustments, zoom/focus/iris parameters, custom picture values, white balance, black gamma, and more.
Canon's IP-based XC protocol helps maximize operability and remote control of camera settings. Using the XC protocol, the camera can be operated by Canon's RC-IP1000 or RC-IP100 control panels or via the Remote Control Camera Application (RCCA) over an Ethernet Network connection**. Additionally, XC Protocol-enabled third-party controllers (RCP) can control the C70.
The latest firmware (now available) adds a wireless smartphone control option with the release of the Canon Multi Camera Control App for iPhone.***
The Canon Multi Camera Control App provides the ability to control multiple cameras wirelessly from an iPhone via Wi-Fi****. The free app empowers you to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, and Custom picture control all while viewing the image from the camera.
** IP/Ethernet connectivity for XC protocol requires the use of USB network adapters.
*** Available for download on the Apple App Store.
**** Wi-Fi connectivity requires the use of a USB Wi-Fi adapter.
Please see the Technical Specifications for a list of tested Ethernet and Wi-Fi network adapters.
Dual SD Card Slots with Various Recording Options
The EOS C70 has dual SD card slots for simultaneous recording in different formats, including 4K/HD and XF-AVC/MP4.
High Frame Rate; 4K 120P and 2K CROP 180P
The EOS C70 is capable of ultra-high frame rates with its new chip design and powerful DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps. The EOS C70 supports Dual Pixel CMOS AF, even when shooting at high frame rates, keeping the camera in focus even when mounted on gimbals or drones. With the Firmware update 1.0.5.1, Eye AF, Face Detection AF and Subject Tracking AF are now available in Slow & Fast recording modes from 24p to 120p.
* V90 SD cards are recommended for Slow & Fast motion recording.
Look File for Recording (User LUT)
The EOS C70 has a new option called Look File to import '.Cube' type 3D LUTs for use while recording. This function greatly improves the flexibility of EOS C70 in professional workflows.
A new viewing assist feature called CMT 709 provides the ability to see on-set how the video will look on a REC.709 monitor when recording in Canon Log 2 or Canon Log 3. This is a great starting point for any color grading, and facilitates making changes while filming, which reduces the need to "fix it in post."
4K 60p Intra-frame Recording
XF-AVC Intra-Frame 60p records at a bit rate of 600Mbps and offers users a lightweight, high-quality codec that helps to minimize storage costs, speed up file transfer and record onto the C70's SD media. Proxy files can be named using the recommended “_Proxy” suffix, which enhances compatibility with non-linear editing systems.
Cinema RAW Light Internal Recording
Cinema RAW Light internal recording capabilities in the EOS C70 camera further enhances the recording capabilities of what's already a powerful digital imaging machine. This compact cinema camera can capture 12-bit Cinema RAW Light internally to compatible SD cards. Cinema RAW Light captures the widest dynamic range from the Dual Gain Output sensor (16+ stops total) and allows the most flexibility to grade captured content. Three quality settings of Cinema RAW Light are available: RAW HQ (high quality), RAW ST (standard quality), and RAW LT (light recording). All three modes are 12-bit regardless of frame rate. Lastly, Cinema RAW Light is compatible with Proxy and Double-Slot recording.
Frame and Interval Recording Modes
Frame and Interval Recording modes add even more recording flexibility to the EOS C70 camera by allowing easy creation of stop motion and time-lapse sequences when recording in the XF-AVC and MP4 formats. Frame recording is for stop motion capture, and every press of the record button captures a user-determined number of frames. Interval Recording sets the interval and number of frames to be captured for time-lapse sequences. Both recording modes help operators further tell their story in a more creative and inspiring form and are easy to use.
RF24-105mm F2.8 L IS USM Z Overview
The RF24-105mm F2.8 L IS USM Z is the world's first 24-105mm focal length lens combined with consistent f/2.8 aperture.9 With its constant f/2.8 max aperture, full-frame coverage, and its ability to zoom past the traditional 70mm roadblock to a true portrait-length 105mm, this lens is an incredible standard zoom solution for many different applications. An optional, dedicated Power Zoom Adapter PZ-E2 transforms the video operation possibilities with its smooth and versatile zooming. Even in low light, this lens will excel for weddings and events, photojournalism, portraiture, studio work, and video creation.
Features
Outstanding Optical Performance with Consistent f/2.8 Maximum Aperture
By taking advantage of the large diameter RF mount and short back focus, the RF24-105mm F2.8 L IS USM Z is able to achieve a maximum aperture of f/2.8 throughout its entire zoom range. This enables you to continuously shoot up to the frequently used 105mm without switching lenses, opening a world of possibilities for both photo and movie shooting.
Supports Optional Canon Power Zoom Adapters
The RF24-105mm F2.8 L IS USM Z crosses the worlds of photography and movies. The optional Power Zoom Adapters PZ-E2 and PZ-E2B enable smooth, high-precision zoom control during movie shooting. Plus, attachment and detaching can be managed without the use of a special tool. The Power Zoom Adapter PZ-E2B comes equipped with a 20-pin port for compatibility with cinema or broadcast lens accessories such as zoom servo grip or focus demand. This lens and Power Zoom Adapter combination makes unassisted single-person video shooting operation easy and within reach.
Eleven Aperture Blades for Rich Bokeh
With eleven aperture blades and a large f/2.8 aperture, the RF24-105mm F2.8 L IS USM Z produces a beautiful, almost circular bokeh effect — even when stopped-down. The wide aperture also allows for faster shutter speeds in low light situations and helps prevent subject blurs.
Iris Ring for Precise Lens Aperture Control
The RF24-105mm F2.8 L IS USM Z is equipped with an iris ring (aperture control), the first among RF lenses10. This allows video users to manually control exposure adjustment and the degree of background blur while shooting video, with click-less, smooth operation — similar to the operability in a cinema lens.
Close-focusing to Under 1.5 ft., Max. Magnification 0.29x
With a minimum focusing distance of approximately 1.5 ft./0.45m, the RF24-105mm F2.8 L IS USM Z lens helps you get close to your subjects. The maximum magnification is 0.29x at 105mm, allowing you to capture subtle details more expansively and clearly. Focus shifts during zooming are minimal — plus, it supports focus breathing correction11, in which the camera digitally corrects for changes in angle of view caused by focus movement during video recording, especially during closeup shooting.
Optical Image Stabilization
For consistently sharp results, the RF24-105mm F2.8 L IS USM Z features built-in optical Image Stabilization, providing enhanced shake reduction for up to 5.5 stops of shake correction. When paired with an EOS R-series camera that has In Body Image Stabilization (IBIS), the Coordinated IS allows for up to 8.0 stops of correction12. This means more reliable handheld performance and clear detail in low-light situations, without having to increase the ISO or decrease the shutter speed. Additionally, an IS Mode switch is featured for the first time among Canon RF standard zoom lenses.
Nano USM Maintains Focus While Zooming
The RF24-105mm F2.8 L IS USM Z features two Nano USM (ultrasonic motors) focus drive system, powering both its autofocus, and its “floating” optics which move independently to ensure maximum image quality. Nano USM provides quiet and smooth AF, especially useful during movie recording. In addition, the Nano USM maintains focus while zooming to suppress aberration fluctuations during high-speed burst or movie shooting.
Excellent Handling
With its fixed-length lens barrel design and balanced center of gravity, the RF24-105mm F2.8 L IS USM Z provides excellent handling for any shooting style and especially advantageous when using accessories for shooting video. The lens comes with a tripod mount that can be easily attached and detached with a lock release button, without the need of a special tool. Also available is the LH-E1 lens holder (sold separately), which supports the lens when combining with a rig.
Durable and Dependable Build
The RF24-105mm F2.8 L IS USM Z boasts amazing durability and endurance you'd expect from an L-series lens. The lens barrel does not move during zooming or focusing; both are achieved entirely internally. Weather-resistant sealing is applied to areas such as the operation rings and switch panel to help prevent water and dust from entering the unit. Fluorine coating is applied on the front lens to prevent water, oil and other surface residue like fingerprints from sticking to the lens, which facilitates quick and easy wiping without the use of solvents. This dust- and water-resistant design allows for outstanding performance even in inclement weather conditions.