Specials
The Sony E-mount 50mm T2.9 Anamorphic 1.6x Lens, from Sirui, is designed for filling a theater screen with rich detail, cinematic bokeh, and artistic lens flairs.
The new Sirui 24mm f/2.8-1.33X Anamorphic lens features a front cylindrical lens element that can widen the horizontal field of view 1.33 times and squeeze more stuff onto the sensor, which contributes to a HD 2.4:1 cinematic widescreen looking. The wider aspect ratio makes audiences feel like they are on the scene. Compared to the 50mm and 35mm anamorphic lenses, the 24mm anamorphic lens can extend the cinematic frame further and has great focal length for a wide variety of landscape and indoor shooting needs.
SIRUI's new groundbreaking new 24mm F2.8 1.33x lens redefines what is possible from a wide-angle anamorphic optic. It features the beautiful stretched oval bokeh and streaked lens flares that Sirui's affordable anamorphic lenses have become known for, combined with a new wider field of view.
Staying true to its mission, SIRUI now comes back with its 75mm F1.8 1.33X Anamorphic lens, whose horizontal appearance is similar to the 85mm on APS-C sensors. Designed with a unique structure, the lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.
Staying true to its mission, SIRUI now comes back with its 75mm F1.8 1.33X Anamorphic lens, whose horizontal appearance is similar to the 85mm on APS-C sensors. ​Designed with a unique structure, the lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.