The Tokina atx-i 100mm F2.8 FF MACRO is a compact medium tele macro lens for full frame format film and digital SLR cameras. Being light-weight, compact, performing high resolution, fast aperture, low distortion, low falloff and beautiful soft bokeh this lens is extremely attractive tool for macro, portraits, landscapes, street art, commercial and general purpose shooting.

The Tokina atx-i 100mm F2.8 FF MACRO is a compact medium tele macro lens for full frame format film and digital SLR cameras. Being light-weight, compact, performing high resolution, fast aperture, low distortion, low falloff and beautiful soft bokeh this lens is extremely attractive tool for macro, portraits, landscapes, street art, commercial and general purpose shooting.

The highly-desirable 70-200mm telephoto zoom has come to the Z series. Sports, concerts, weddings, wildlife, portraiture and so much more -- all with the incredible low light performance of an f/2.8 made only better by the optically superior Z mount.

The Composer Pro II with Edge 35 is part of our unique Optic Swap System. Use the tilting Composer Pro II lens housing with the f/3.5, 35mm Edge 35 Optic to create a side-to-side, slice of focus effect enveloped in smooth blur and bokeh.

This is the world's first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye' perspective. The wide angle design means much more depth of field at close distance than conventional telephoto macro lens so that more background details can now be seen. The front barrel of the lens is designed to be waterproof and a LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensor and it is super light to carry.

The Sigma 60-600mm F4.5-6.3 DG OS HSM Sports is the world's first 10x optical zoom telephoto lens with a tele end of 600mm. Incorporating 25 elements in 19 groups, excellent and consistent image quality can be achieved throughout the entire zoom range. This lens' intelligent OS featuring the latest algorithm delivers an image stabilization effect of 4 stops. Its optical design ensures maximum correction of magnification chromatic aberration encountered in hyper-telephoto shooting. This offers both . . . .

This fixed aperture lens injects a new energy into images by creating a tack sharp circular area of focus surrounded by bold blur and smooth bokeh. To achieve this selective focus look, users identify a subject in frame, bend the lens toward it, rotate the focus ring to bring subject into focus and shoot.

The 17-35mm F/ 2.8-4 Di OSD (Model A037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The Model A037 offers a high level of sharpness and contrast comparable to the very best of lenses.

World's Widest 1:1 Macro Lens. Featuring an ultra-wide 110 degrees angle of view of with 1:1 maximum magnification, allowing users to focus very close to the subject but at the same time, include the background details (where and how the subject lives) into the photo. Added with a +/- 4mm feature, this lens is an ultimate creative tool for both landscape, macro and architectural shooting.

The Bokeh Dreamer with Ultra-sharp image and Silky smooth Bokeh. Featuring an unique STF (Smooth Trans Focus) optical design. This award-winning lens incorporates an apodization (APD) element next to the aperture which resembles the function of an ND filter. It gradually reduces the amount of light transmitted towards the periphery to produce a soft, natural and beautifully diffused out-of-focus rendition. The chromatic aberration has also been controlled to the minimal.

World's Widest f/2.8 Lens with close-to-zero distortion. Featuring a widest angle of view (122°) ever built with a f/2.8 lens, this is an ideal lens for a variety types of photography. From landscape, architecture, interior, travel to the most important, astro photography. The lens is also the lightest and the most compact of its class and is good for everyday shooting. It also features a close-to-zero optical distortion, allowing photographers to take landscape/architecture shots with straight . . . .

The Sigma 14mm 1.8 DG HSM Art is the worlds first 1.8 prime lens at the 14mm focal length. This fast wide prime features the same large aspherical element touted in the Sigma 12-24mm F4 Art to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal coma flare. Building on the highly reputable Art line, the Sigma 14mm 1.8 DG HSM Art is designed to . . . .

The Sigma 14-24mm F2.8 DG HSM Art is the ideal ultra-wide-angle zoom lens for the most demanding photographers. With a constant F2.8 aperture throughout the entire zoom range, it's designed for 50-megapixel plus cameras for outstanding high-resolution image quality. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus. 3 FLD and 3 SLD glass elements; 3 aspherical lens elements; and 1 large-diameter aspherical element minimize chromatic aberration resulting in extremely sharp images.

The new Tamron 70-210mm F/4 Di VC USD provides superb optical performance throughout the entire zoom range. Applying three LD (Low Dispersion) lens elements enables the Model A034 to correct chromatic aberrations effectively while shooting for clear, crisp images to the edges of the frame. Also, by achieving a maximum magnification ratio of 1:3.1, the highest in its class.

Burnside 35 is an entirely new kind of creative effects lens for full frame and crop sensor cameras. This 35mm f/2.8 lens lets you create images with a large, bright central area of sharp focus and amazing color rendition surrounded by subtle, swirling bokeh and vignette. Use Burnside 35's aperture ring to control the size of your focus area and amount of swirl – bright apertures will give you the most swirl and a smaller focus area, while darker apertures will give you a large focus area with less swirling bokeh.

This new NIKKOR lens is a professional super-telephoto zoom lens, which is even more versatile with an extended wide range of 180-400mm, and a constant f/4 aperture to easily isolate a subject from the sidelines, even in challenging light. This is also the first NIKKOR lens to include a built-in 1.4X teleconverter, allowing photographers to seamlessly swap to a 252-560mm (FX-format) focal range.

Combine fine-tuned focus and dreamy blur to create images that resonate. The Composer Pro II with Sweet 35 Optic adds unpredictable depth and movement at 35mm, so you can hone in on the details that matter most. Place the sweet spot right where you want it--perfect for illuminating a face or bringing out a specific detail in your landscapes and environmental portraits.

Sensationalize the sweet spot--bring in movement and intensity to add depth to every image. The Composer Pro II with Sweet 50 Optic illuminates the essential details at 50mm, creating wonder and feeling in your photos. Spotlight the specifics in portraits, and enhance everyday scenes with a particular point-of-view.

Designed and executed for the most demanding types of photography, the Sigma 150-600mm 5-6.3 DG HSM OS Sports lens is the new standard for telephoto zooms. Boasting 2 FLD glass elements (performance equal to fluorite) and 3 SLD glass elements, the new Sigma 150-600mm Sport produces incredibly sharp images y through the entire zoom range. Chromatic aberration is controlled at the long end of the focal length through the optimized design of the glass elements and a dust and splash proof construction ensures a high degree of durability.

The Sigma 150-600mm 5-6.3 DG HSM OS Contemporary WITH 1.4x Teleconverter Adapter. Created around the concept of maximum portability meets utmost image quality in a variable aperture hyper-telephoto zoom lens. Light weight and compact, this s zoom can handle any long-reach photographic situation one may encounter. This 150-600mm Contemporary boasts updated Sigma technology such as a quiet and optimized Hyper Sonic Motor (HSM) and a new Optical Stabilizer (OS) with an accelerometer for improved panning . . . .

Being a creative is about selecting the right tool for the right job and being a photographer is no exception. Variety can define your work but control can set you apart. The Composer Pro II Optic Swap Kit is about giving you unlimited, undefinable, and unparalleled manual control in every aspect of your photographs all in camera.

Create soulful portraits with our Velvet 85 art lens. Compose impressionistic masterpieces with a velvety glow at bright apertures, straight out of camera. Use darker apertures to bypass glow and make images with a crisp, film-like aesthetic.

Nikon proudly presents an update to its versatile full-frame 70-300mm tele zoom with improvements to image quality, autofocus, speed, VR image stabilization and more. The lens strikes an outstanding balance between size, zoom power and Vibration Reduction, making it a great choice for handheld photos and videos of sports, action, concerts, weddings, wildlife and more. Whether you shoot an FX or DX camera, the AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR frees you to shoot on-the-go from nearly any distance.

Introducing the world's first ultra-telephoto 22.2X all-in-one zoom lens with extended range that covers 18-400mm. It's amazing tele setting gives you a full-frame equivalent of 620mm for powerful close-up images on your APS-C camera. The new 18-400mm provides excellent image quality across the entire zoom range and is equipped with VC image stabilization and new HLD autofocus system for quiet, high-precision focusing. Photographers can now enjoy ultra-tele photography in a compact, easy to hold . . . .

Capture with unwavering precision in nearly any light with this superb NIKKOR 28mm prime lens. Its angle of view gives portraits and landscapes a natural, true-to-memory feel. Its fast f/1.4 aperture offers maximum depth of field control, exquisite background blur and enhanced low-light performance. And its Gold Ring Series optical design delivers the image quality that has made NIKKOR legendary.

Create epic 180° circular images, traditional frame-filling fisheye images and even extreme close-ups with the first NIKKOR fisheye lens with zoom capability. Brilliant optics, a weather-sealed design including Nikon's protective Fluorine coating and superior tolerance for backlighting make this one of the most versatile, exciting fisheye lenses yet.

Ideal for sprawling landscapes, cityscapes, architecture, interiors and group photos, the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR lens offers a view that surpasses any kit lens and lets you get creative with composition. Its near-silent autofocusing and Vibration Reduction (VR) image stabilization make it a great choice for recording video, and its compact, lightweight design makes it a great travel companion.

Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.

The AT-X 100 PRO D is an excellent 100mm F/2.8 macro lens capable of life-sized (1:1) reproduction at 11.8 in. (30 cm). The lens' multi-coating have been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today's digital SLR cameras. This lens gives the best of both worlds because optics still give full coverage and excellent sharpness with full frame sensors as well as 35mm film.

The AT-X 100 PRO D is an excellent 100mm F/2.8 macro lens capable of life-sized (1:1) reproduction at 11.8 in. (30 cm). The lens' multi-coating have been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today's digital SLR cameras. This lens gives the best of both worlds because optics still give full coverage and excellent sharpness with full frame sensors as well as 35mm film.