ZEISS Fog Defender System anti fog spray for glasses is an easy-to-use solution to prevent optical lenses from fogging up. Simply spray the solution onto the lens surface and wipe until dry with the included lens cleaner microfiber cloth, providing up to 72 hours of fog prevention.

ZEISS AntiFOG Wipes provide fast and effective lens cleaning with the added benefit of fog prevention. Individually wrapped, these wipes are ideal for use on-the-go or at home. Apply them to your lenses daily to ensure clear and clean vision, especially when wearing a face mask. Lenses stay clean and fog-free for up-to 24 hours.

ZEISS Lens Wipes safely and quickly clean multiple lens surfaces. Specially formulated with a gentle solution, these wipes remove smudges and dirt, leaving lenses free of scratches, streaks or residue.

This Lens Cleaning Kit from ZEISS is a complete solution for cleaning valuable optics such as camera lenses, eyeglasses, telescopes, or spotting scopes. Both wet and dry cleaning tools are provided. For blowing dust off an optical surface, the air blaster can be used, while the retractable lipstick-style cleaning brush can dislodge more stubborn dirt or dust particles.

A compact standard lens with autofocus, especially designed and constructed for compact system cameras like the Sony Nex and Fujifilm X Series cameras. A lens that makes it so easy to spontaneously capture your special moments and preserve them in perfect pictures.

A compact standard lens with autofocus, especially designed and constructed for compact system cameras like the Sony Nex and Fujifilm X Series cameras. A lens that makes it so easy to spontaneously capture your special moments and preserve them in perfect pictures.

This bright and compact standard lens has a precise manual focusing mechanism and large rotation angle for precise control. The Planar T* 1,4/50 is designed for medium and longer distances and provides high-performance wide open, which only improves as the lens is stopped down.

The T* 1.4/50 ZF.2 (with CPU) is an extremely fast standard lens for challenging 35 mm photography with SLR cameras. Professional photographers also consider it the best SLR standard lens in the world. It is compatible with the Nikon F (AI-S) bayonet. Its precise mechanism enables exact manual focusing.

With an angle of view of 99 degrees, the Touit 2.8/12 wide-angle lens will soon become a firm favorite, particularly for landscapes and architectural photography. Its unique T* multicoating guarantees maximum transmission and outstanding absorption of extraneous light.

With its exceptional image performance up to a scale of 1:1, this macro lens is the ideal choice for extreme close ups. But it also comes into its own when shooting portraits or panoramas as a light tele-lens. The delicate structure of a petal, the tiny hairs on a cat's fur or the seductive lines at the corner of the eyes – whenever a shot is all about the minute details, the ZEISS Touit® 2.8/50M will delight and inspire. It not only allows you to portray objects in their original size, but also . . . .

With its exceptional image performance up to a scale of 1:1, this macro lens is the ideal choice for extreme close ups. But it also comes into its own when shooting portraits or panoramas as a light tele-lens. The delicate structure of a petal, the tiny hairs on a cat's fur or the seductive lines at the corner of the eyes – whenever a shot is all about the minute details, the ZEISS Touit® 2.8/50M will delight and inspire. It not only allows you to portray objects in their original size, but also . . . .

A 50mm lens was legendary photographer Cartier Bresson's favourite. The reason is simple: this focal length provides the equivalent field of view of the human eye on a 35mm camera, which makes for a very natural perspective. Compact, light and extremely flexible, the ZEISS Loxia® 2/50 shines in the most varied of applications. Regardless of whether it's for street photography, landscapes, portraits or spontaneous discoveries, the ZEISS Loxia 2/50 is the ideal companion for photographic and filmic exploration.

High speed, fast autofocus, and optical image stabilizer – in an easy telephoto range for the full frame: the perfect companion for portrait, event, and wedding photography.

This short, high-speed tele lens was specifically developed for challenging photography with SLR cameras. The Planar T* 1.4/85 ZF.2 (with CPU) impresses with its bright, clear viewfinder image and guarantees brilliant image quality even at full aperture, making it the ideal tool for both indoor and outdoor portraits.

This short telephoto is a classic portrait focal length which is further enhanced by the long barrel rotation for precise control of the focus point in the image.

The ZEISS Loxia® 2/35 offers an extended field of view. This makes it the first choice for showing a subject in their environment or establishing connections between people. Like in reportage or street photography, for example. That’s what makes it the most important focal length for the genre in compact 35mm cameras. At the same time, the small size and weight of this camera system allows for a great deal of independence and discretion when it comes to photographing your subjects. And precise, . . . .

The very close focusing distance of the 25 mm wide-angle lens supports the creative implementation of exceptional perspectives. An extremely uniform image quality is ensured right into the corners of the image. The lens is the perfect companion for shooting landscapes, architecture, street scenes and photojournalism.

Lightweight wide-angle lens, fast autofocus, close focusing distance: with a 40-millimeter fixed focal length, this lens is excellent for the applications of a standard focal length as well as for typical shooting situations with lightweight wide-angle lenses. An all purpose lens that offers outstanding imaging quality, making it ideal for close-ups.

Powerful, wide-angle and compact – these are just some of the features of the ZEISS Loxia® 2.4/25. The Distagon® optical design has been specially developed for high-resolution, full-frame sensors from the Sony α series mirrorless cameras. This expands the ZEISS Loxia 2.4/25 in a host of ways.

Portable, inconspicuous, powerful -- fitting ways to describe the ZEISS Loxia 2.4/85 telephoto lens. The completely reworked optical design has been specially developed using seven lens elements for the high-resolution, full-frame sensors of the mirrorless Sony A series. The Loxia 2.4/85 supplements the focal lengths of the ZEISS Loxia product family in the short telephoto lens segment.

Compact, wide-angle and powerful - these are the properties that make the super wide-angle Loxia 21mm f/2.8 so special. The optical design has been specially developed for high-resolution, full-frame sensors of the mirrorless Sony Alpha series. A system expansion through the new ZEISS Loxia - in a focal length range that has a long tradition at ZEISS.

Very large field angle and fast autofocus – combined with protection against dust and spray water for reliable photography in all weathers: this is the ideal full-frame lens for landscape, astro and architectural photography.

This fast, super wide-angle lens allows photographers to experiment with different angles and perspectives. The Biogon T* 2,8/21 ZM offers outstanding performance and extreme resolving power even when shot wide open, with virtually no distortion, excellent control of flare and ghosting and superb contrast rendition across the entire frame.

Long focal length, fast autofocus, optical image stabilization. Thanks to the outstanding correction of all chromatic aberrations, the ZEISS Batis 2.8/135 is a high-performance telephoto lens with an Apo Sonnar design. The lens is the optimum solution for medium-distance portrait photography. *Sony camera not included.

A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto . . . .

Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.

Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.

Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.

With an angle of view of 110°, the super-wide angle is ideal when it comes to capturing events in a way that makes them dynamic and extraordinary. A detachable lens hood and the 95 mm filter thread also make it ideal for special applications for instance when used with additional slot-in filter systems or in underwater housings. The exceptionally long focus throw offers outstanding setting accuracy for photography and film.

With an angle of view of 110°, the super-wide angle is ideal when it comes to capturing events in a way that makes them dynamic and extraordinary. A detachable lens hood and the 95 mm filter thread also make it ideal for special applications for instance when used with additional slot-in filter systems or in underwater housings. The exceptionally long focus throw offers outstanding setting accuracy for photography and film.