The 17-35mm F/ 2.8-4 Di OSD (Model A037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The Model A037 offers a high level of sharpness and contrast comparable to the very best of lenses.

The EF 400mm f/2.8L IS III USM offers you the superb image quality of a Canon L series super telephoto in a new, lightweight form that makes it the world's lightest 400mm f/2.8 lens*. A meticulous optical redesign means reduced flare and ghosting thanks to Super Spectra Coating (SSC) and Air Sphere (ASC), a shorter minimum focusing distance and additional comfort and portability.

The Composer Pro II with Edge 35 is part of our unique Optic Swap System. Use the tilting Composer Pro II lens housing with the f/3.5, 35mm Edge 35 Optic to create a side-to-side, slice of focus effect enveloped in smooth blur and bokeh. Tell a more powerful story with the Composer Pro II with Edge 35 Optic. Draw the viewer's eye, highlight details and blur out distractions with this unique selective focus lens.

The Composer Pro II with Edge 35 is part of our unique Optic Swap System. Use the tilting Composer Pro II lens housing with the f/3.5, 35mm Edge 35 Optic to create a side-to-side, slice of focus effect enveloped in smooth blur and bokeh.

The 35mm F1.4's (Model F045) unprecedented high-resolution image quality and beautiful, appealing background bokeh let photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a large F/1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, . . . .

The new Sigma wide-angle model stands out with its thoroughly corrected magnification chromatic aberration and sagittal coma flare, as well as completely minimized distortion thanks to its optical design. It features water- and oil-repellent coating on the front lens element and its overall dust- and splash-proof structure ensures excellent performance even in the most challenging shooting conditions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures the . . . .

The 40mm F1.4 DG HSM Art is Sigma's first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. Designed for exceptional sharpness at maximum aperture, this lens excels at available light photography. With less . . . .

The 50mm F1.4 FF is the debut premium lens in Tokina's new opera series for high-performance full-frame DSLR cameras. The lens incorporates Tokina's latest advancements in optical engineering and electronic design to meet the demands of today's DSLR technology. With advanced features like ring-shaped ultrasonic motors for fast and quiet operation, Tokina's new ELR lens coating technology, and advanced weather sealing technology, the new 50mm F1.4 FF opera lens will be a go-to lens in many camera bags.

This is the world's first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye' perspective. The wide angle design means much more depth of field at close distance than conventional telephoto macro lens so that more background details can now be seen. The front barrel of the lens is designed to be waterproof and a LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensor and it is super light to carry.

This is the world's first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye' perspective. The wide angle design means much more depth of field at close distance than conventional telephoto macro lens so that more background details can now be seen. The front barrel of the lens is designed to be waterproof and a LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensor and it is super light to carry.

The SIGMA 70-200mm F2.8 DG OS HSM Sports has high optical quality, a tough design and excellent handling -- all of the features required by professional photographers and high-end amateurs. To make the lens lightweight while maintaining robustness, magnesium is used to ensure high mobility. As a lens from the Sports line, the dust- and splash-proof structure together with the water- and oil-repellent coating on the front lens ensure safe use even in the most challenging shooting conditions. The . . . .

The Sigma 60-600mm F4.5-6.3 DG OS HSM Sports is the world's first 10x optical zoom telephoto lens with a tele end of 600mm. Incorporating 25 elements in 19 groups, excellent and consistent image quality can be achieved throughout the entire zoom range. This lens' intelligent OS featuring the latest algorithm delivers an image stabilization effect of 4 stops. Its optical design ensures maximum correction of magnification chromatic aberration encountered in hyper-telephoto shooting. This offers both . . . .

The SP 15-30mm F/2.8 Di VC USD (Model A012) is a high-quality F/2.8 ultra-wide-angle zoom lens for use with full-frame DSLR cameras that has been lauded by photography enthusiasts throughout the world. To further enhance this legacy of high-quality optics, new functions have been added to create the next generation model, the SP 15-30mm F/2.8 Di VC USD G2 (Model A041) . Incorporating an XGM (eXpanded Glass Molded Aspherical) lens element as well as multiple LD (Low Dispersion) lens elements provides . . . .

The EF 600mm f/4L IS III USM offers professional and advanced photographers the excellent image quality of a Canon L series super telephoto lens and is the world's lightest 600mm f/4.0 lens. For brilliantly clear results even in challenging situations, Super Spectra Coatings (SSC) and Air Sphere Coatings (ASC) help minimize ghosting and flare.

This fixed aperture lens injects a new energy into images by creating a tack sharp circular area of focus surrounded by bold blur and smooth bokeh. To achieve this selective focus look, users identify a subject in frame, bend the lens toward it, rotate the focus ring to bring subject into focus and shoot.

The 17-35mm F/ 2.8-4 Di OSD (Model A037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The Model A037 offers a high level of sharpness and contrast comparable to the very best of lenses.

The 14mm T2 Cine Lens is compatible with full frame cameras, and while being more compact, it can offer superior resolution than other high­-end prime sets do. With all seven Sigma prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.

The Sigma 70mm F2.8 DG Macro is the first prime macro lens to be adorned with the Art badge. Fully redesigned to deliver exception 1:1 (life-sized) magnification, the 70mm F2.8 DG Macro lens features a new coreless DC motor for extremely smooth autofocus performance. Prioritizing optical performance, the lens features an extending, floating, two-group focus mechanism. This configuration minimizes aberration to produce optimal results at any focus distance.

For portable, versatile optical excellence, look no further than the new EF 70-200mm f/4L IS II USM. It features an improved Optical Image Stabilization system that is designed to deliver up to 5 stops* of correction for clear and stable images, with the new IS Mode 3 added specifically for fast-moving, unpredictable subjects. A short minimum focusing distance of approx. 3.3 ft. helps expand the lens's operational range, enabling increased control of perspective and more dynamic close-ups than its . . . .

A professional standard refined. The EF 70-200mm f/2.8L IS III USM delivers outstanding performance and optics to help you reach new heights in high-level creative imaging. The lens's constant f/2.8 maximum aperture enables fast shutter speeds and beautiful background blur across its zoom range. To further enhance clarity, it adds Canon's Air Sphere Coating (ASC), which combines with updated Super Spectra Coatings to significantly reduce lens flare and ghosting. A superlative lens remastered for . . . .

World's Widest 1:1 Macro Lens. Featuring an ultra-wide 110 degrees angle of view of with 1:1 maximum magnification, allowing users to focus very close to the subject but at the same time, include the background details (where and how the subject lives) into the photo. Added with a +/- 4mm feature, this lens is an ultimate creative tool for both landscape, macro and architectural shooting.

World's Widest f/2.8 Lens with close-to-zero distortion. Featuring a widest angle of view (122°) ever built with a f/2.8 lens, this is an ideal lens for a variety types of photography. From landscape, architecture, interior, travel to the most important, astro photography. The lens is also the lightest and the most compact of its class and is good for everyday shooting. It also features a close-to-zero optical distortion, allowing photographers to take landscape/architecture shots with straight . . . .

The Bokeh Dreamer with Ultra-sharp image and Silky smooth Bokeh. Featuring an unique STF (Smooth Trans Focus) optical design. This award-winning lens incorporates an apodization (APD) element next to the aperture which resembles the function of an ND filter. It gradually reduces the amount of light transmitted towards the periphery to produce a soft, natural and beautifully diffused out-of-focus rendition. The chromatic aberration has also been controlled to the minimal.

The Sigma 14-24mm F2.8 DG HSM Art is the ideal ultra-wide-angle zoom lens for the most demanding photographers. With a constant F2.8 aperture throughout the entire zoom range, it's designed for 50-megapixel plus cameras for outstanding high-resolution image quality. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus. 3 FLD and 3 SLD glass elements; 3 aspherical lens elements; and 1 large-diameter aspherical element minimize chromatic aberration resulting in extremely sharp images.

The new Tamron 70-210mm F/4 Di VC USD provides superb optical performance throughout the entire zoom range. Applying three LD (Low Dispersion) lens elements enables the Model A034 to correct chromatic aberrations effectively while shooting for clear, crisp images to the edges of the frame. Also, by achieving a maximum magnification ratio of 1:3.1, the highest in its class.

Burnside 35 is an entirely new kind of creative effects lens for full frame and crop sensor cameras. This 35mm f/2.8 lens lets you create images with a large, bright central area of sharp focus and amazing color rendition surrounded by subtle, swirling bokeh and vignette. Use Burnside 35's aperture ring to control the size of your focus area and amount of swirl – bright apertures will give you the most swirl and a smaller focus area, while darker apertures will give you a large focus area with less swirling bokeh.

The Canon 400mm F/4L is popular because customers like the following qualities of the Canon 400mm F/4L: Fast / accurate auto-focus, Fast auto-focus, Lightweight, Strong construction, Superior build quality and Super-sharp images

This first EF mount autofocus lens from Rokinon encapsulates the brand's universally respected optical technology, especially in the wide angle lens category. From a total of 15 lenses in 10 groups, 7 special optic lenses have been chosen in the production of this lens, to maximize the image quality.

Sensationalize the sweet spot--bring in movement and intensity to add depth to every image. The Composer Pro II with Sweet 50 Optic illuminates the essential details at 50mm, creating wonder and feeling in your photos. Spotlight the specifics in portraits, and enhance everyday scenes with a particular point-of-view.

Combine fine-tuned focus and dreamy blur to create images that resonate. The Composer Pro II with Sweet 35 Optic adds unpredictable depth and movement at 35mm, so you can hone in on the details that matter most. Place the sweet spot right where you want it--perfect for illuminating a face or bringing out a specific detail in your landscapes and environmental portraits.