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Tascam
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Tascam DR-701D 6-TRACK RECORDER for DSLR Camera with SMPTE Timecode

MFR# DR701D
Out of Stock
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$499.00
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Features at a glance

  • SD/SDHC/SDXC cards used for recording media.
  • 6 maximum simultaneous recording tracks
  • MONO, STEREO, 2MIX, DUAL MONO, DUAL ST and DUAL2MIX recording modes
  • Recording formats: 16/24-bit, 44.1/48/96/192kHz (WAV/BWF) (192kHz only for two-track recording)
  • Built-in original TASCAM HDDA mic preamps provide high audio quality
  • Input levels can be adjusted separately for each track
  • XLR/TRS inputs support +4dBu line level and 24/48V phantom power
  • Clock and record start/stop can be synchronized with a camera using the HDMI port
  • DR-701D audio signal can be output to an external camera or recorder from the HDMI OUT or line output
  • Cascade function using HDMI connections allows multiple DR-701D transport and monitoring operations
  • SMPTE Timecode can be input through the TC IN connector to add recording start times to files
  • Timecode generator (RTC) allows recording start times to be added to files even when there is no timecode input
  • Plug-in power mics and high output mics (EXT IN 1/2) supported
  • DR-701D OUT (CAMERA OUT) connector can output audio mixed by the DR-701D to a DSLR camera
  • DR-701D IN (CAMERA IN) connector enables monitoring the sound from a DSLR camera through the DR-701D
  • High quality audio output through a line output jack separate from the headphones jack
  • Headphones jack with 50mW+50mW maximum output
  • Tripod attachment threads (bottom), camera screw attachment that can be installed or removed with a coin (top) and shoe mount (top) included
  • Handles on the left and right sides of the front protect the control surface and also enable attachment of a shoulder strap
  • Transport and SLATE buttons made of rubber suppress noise during operation
  • HOLD switch prevents misoperation
  • 128×64-dot graphic LCD with backlight
  • LED lights have high visibility even in direct sunlight
  • High-speed transfer of files to computers possible using USB 2.0
  • Micro-B type USB cable included
  • Powered by 4 AA batteries, USB bus power or a PS-P515U AC adapter (sold separately)
  • BP-6AA external battery pack (sold separately) enables operation for even longer times
  • Optional RC-3F foot switch and RC-10 wireless remote control can be connected (both sold separately)
  • Built-in mixer enables pan and level adjustments as well as solo monitoring and can output a mix of 4 channels
  • GANG function allows the levels of multiple channels to be controlled simultaneously
  • Individual channel trim settings shown
  • 5-position low-cut filter (50/80/120/180/220 Hz) cuts unwanted low frequencies
  • Multiband limiter automatically adjusts input overloads (stereo-linking possible with 1/L and 2/R)
  • Delay function can compensate for distances between mics (+/-150 ms)
  • Mid-side decoder function enables use with mid-side stereo mics
  • Slate tone insertion functions (AUTO/MANUAL)
  • Slate tone insertion points can be selected (recording start or recording start and stop when slate AUTO function used)

The DR-701D is TASCAM's flagship recorder for single-shooter video production.

A timecode generator is included for location reference, which can be jam synced from a SMPTE generator, camera, or smart slate. The HDMI in and out allows a DSLR camera to start recording on both devices, and video clock prevents drift between sound and picture.

Four mic inputs can be individually recorded and mixed to a stereo track, for a total of six-track recording. For additional tracks, multiple units can be cascaded together. The lightweight yet rigid chassis is forged from a magnesium alloy. Tripod mounts on the top and bottom of the unit allow the unit to mount under a camera, attach to a follow-focus cage, or used stand-alone.
>Designed for the needs of professional filmmakers, television producers, advertisers, and documentarians, the DR-701D packs high quality multitrack recording into a package compact enough for use with any camera.

TASCAM becomes a Sennheiser Technology Alliance Member with the latest firmware update for DR-701D

Viewed as the ultimate portable audio system for video production the TASCAM DR-701D now supports Virtual Reality (VR) content creators with the Version 2.00 firmware update. This new update supports Ambisonics recording by enabling encoding both A and B formats and providing a real-time stereo monitor mix of B format content.
Along with robust and compact body, DR-701D is the ideal recording solution for VR production.

Main Features of V2.00 Firmware
  • Support Ambisonics recording in A format/ B format
  • Stereo mix of B format for input monitoring and playback through headphone out and line output
  • Support AmbiX and FuMa for B format recording
  • Support input monitoring and line output with stereo mix of B format source
  • Four XLR inputs with +48V phantom power
  • GANG function for precise control of 4 channels at once
  • Selectable mic positioning allows flexible setting of Ambisonic mic (Upright/ Upside Down/ End Fire)
One button press on the camera starts sound recording on the DR-701D

Simply pressing the camera recording start button sends a trigger to the DR-701D to start audio recording. Unlike other systems that force you to press record on both devices, the HDMI start system prevents missed takes, syncs the two recording starts together, and makes single-operator shoots much easier.
* Feature is dependant on camera firmware, compatibility chart coming soon

Cascade feature for additional track recording
By connecting multiple units using HDMI, slave DR-701D units can be made to follow a master unit to start and stop recording simultaneously. Since audio can also be output through the HDMI connection, monitoring selections can be made using slave units without reconnecting headphones.
SMPTE timecode stores time data in recorded audio files
The built-in SMPTE generator allows the camera and DR-701D to store the same location reference. Several options are available to integrate SMPTE LTC into your camera system. The BNC timecode input can follow a source signal, or can be "jamsynced" a few times per day for independant freewheel operation. Cameras that send timecode through their HDMI output can be followed by the DR-701D's timecode input. And the internal generator can be started without an external reference for a simple time-of-day stamp on recorded BWAV files.
The magnesium-alloy chassis is lightweight yet rugged enough for daily on-set use
The DR-701D's chassis is forged using a magnesium alloy, chosen for its lightweight but solid structure. Desipte its compact size, a high number of inputs and outputs are included. Screw threads for mounting a tripod are included on the bottom of the unit, while a removable camera attachment screw and hot shoe are included on the top of the unit. The DR-701D includes a number of mounting options – either below the camera for best cable management, above the camera, or mounted to a follow-focus cage.
Multiple mic inputs support various recording options
The four XLR/TRS inputs can be adjusted and recorded independently, allowing various on-set recording options. Talent can be recorded using shotgun mics, lavaliers, or both simultaneously. Ambience can be recorded using a stereo mic (or the built-in microphones.) The 3.5mm stereo input can be selected for channels (1-2) and the built-in omni mics for channels (3-4) for an even wider range of mic setups.
Multiband limiter and 5-stage low-cut filter built-in
The limiter function automatically adjusts excessive input levels, and can operate independently on each of the four inputs. A more natural sound quality is achieved because a multiband limiter is employed, affecting only the frequency ranges that have excessive input. In addition, a low-cut filter can be adjusted to five different frequencies to cut wind noise, rumble and other undesirable low frequencies without damaging the source audio.
Record the built-in stereo mic together with external mics
Two omni condenser mics are built into the DR-701D for natural stereo sound images. Used in combination with small handheld or shotgun mics, speakers can be interviewed while capturing the surrounding environment in a compact setup.
A temperature-compensated crystal oscillator (TCXO) provides a solid internal clock
A high precision TCXO is employed for the internal clock generator. Like other TASCAM professional studio equipment, the TCXO reduces clock errors (jitter) to improve the quality of the digital recording. Additionally, a PLL (phase-locked loop) circuit with a discrete filter further reduces jitter for the best possible audio quality.

Tascam DR-701D Specs

Portable Recorder
Number of Tracks 6 (4 Inputs + Stereo Mix)
Max Sample Rate/Resolution 192 kHz / 24-Bit
Microphone Built-In Omnidirectional Electret Condenser Stereo Pair, A/B Configuration
Built-In Speaker No
Display Monochrome LCD (Backlit)
Memory Card Support SD (64 MB to 2 GB)
SDHC (4 GB to 32 GB)
SDXC (48 GB to 128 GB)
Internal Storage None
Recording
Audio File Formats BWF, WAV
Sample Rates WAV:
44.1 / 48 / 96 / 192 kHz
Bit Depth 16 / 24-Bit
Signal Processing Delay, Limiter, Low-Cut Filter
Timecode Yes
Clock Accuracy 2 ppm
Recording Time WAV 44.1 kHz/16-Bit:
1 Hr 34 Mins per GB (Stereo)
WAV 48 kHz/16-Bit:
1 Hr 27 Mins per GB (Stereo)
WAV 96 kHz/16-Bit:
43 Mins per GB (Stereo)
WAV 192 kHz/16-Bit:
22 Mins per GB (Stereo)
WAV 44.1 kHz/24-Bit:
1 Hr 3 Mins per GB (Stereo)
WAV 48 kHz/24-Bit:
58 Mins per GB (Stereo)
WAV 96 kHz/24-Bit:
29 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14 Mins per GB (Stereo)
Connectivity
Analog I/O 4 x Combo XLR-1/4" TRS Female Balanced Line/Mic Input (Lockable)
1 x 1/8" / 3.5 mm TRS Female Unbalanced Mic Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Camera Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Camera Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
1 x 2.5 mm TRS Female Remote Input
Digital I/O 1 x HDMI Type-A Input
1 x HDMI Type-A Cascade/Timecode/Video Output
Phantom Power +24 / 48 V ± 4 V (Selectable on Individual Inputs)
Phantom Power Current 10 mA per Channel
Plug-In Power Yes
Host Connection 1 x Micro-USB (USB 2.0)
Performance
Frequency Response Line Inputs, Line Outputs:
20 Hz to 20 kHz +0.5/-1 dB (At 48 kHz, JEITA)
20 Hz to 40 kHz +0.5/-1 dB (At 96 kHz, JEITA)
20 Hz to 80 kHz +0.5/-5 dB (At 192 kHz, JEITA)
Gain Range Balanced Inputs:
+20 dB to +64 dB
Unbalanced Inputs:
+3 dB to +38 dB
Max Input Level Mic Inputs:
+4 dBu
Line Inputs:
+24 dBu
1/8" Inputs:
+10 dBV
Camera Inputs:
+6 dBV
Max Output Level Camera Outputs, Line Outputs:
+6 dBV
Headphone Output Power 50 mW per Channel
Impedance Mic Inputs:
2 kOhms
Line Inputs:
≥10 kOhms
1/8" / 3.5 mm Inputs:
10 kOhms
Camera Outputs:
200 Ohms
Line Outputs:
200 Ohms
SNR ≥100 dB
THD ≤0.007%
EIN -124 dBu
Power
Power Options Batteries, USB Bus Power, AC/DC Power Adapter
Battery Type 4 x AA (Not Included)
Approximate Battery Life WAV 48 kHz/16-Bit:
3.75 Hours (AA Alkaline, Phantom Off, Recording, Built-In Mic)
2 Hours (AA Alkaline, 2 Channels, Phantom On, Recording)
4 Hours (AA NiMH, Phantom Off, Recording, Built-In Mic)
2.5 Hours (AA NiMH, 2 Channels, Phantom On, Recording)
7.5 Hours (AA Lithium, Phantom Off, Recording, Built-In Mic)
6.5 Hours (AA Lithium, 2 Channels, Phantom On, Recording)
AC/DC Power Adapter 5 VDC at 1.3 A (Not Included)
Physical
Mounting Options 1/4"-20 Female, Shoe Mount
Operating Temperature 32 to 140°F / 0 to 40°C
Dimensions 6.7 x 2.3 x 4.5" / 169 x 57.3 x 113.5 mm (With Adapter Attached)
Weight 1.2 lb / 561 g (Without Batteries)
1.4 lb / 654 g (With Batteries)
Packaging Info
Package Weight 2 lb
Box Dimensions (LxWxH) 9.9 x 7.2 x 4.2"
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